Category: Cinémathèque Française
L’Intervalle Second Shoot – Rushes
L’Intervalle First Shoot: Rushes
Experimenting with Camera Angles and Focus
Final Film Improvisations
After a very interesting session where we explored real experiences of feeling jealous or excluded, the following are excerpts from the improvised scenarios that the filmmakers came up with as a result:
Group 1 Rushes:
A whole pile of rushes from group 2:
Final Film – Improvisational Exploration
Nicholas, Louis and Samy – L’Intervalle Exercise 3
The following three films are the students’ response to the following brief:
Film the following scene in three different ways:
1) Static Long Take
2) A Moving Long Take
3) Montage
The scene: Character A passes something to Character B which produced tension between them, leading to their separation.
Static Long Take
Moving Long Take
Montage
Sterling, Eugene and Marley – L’Intervalle Exercise 3
The following three films are the students’ response to the following brief:
Film the following scene in three different ways:
1) Static Long Take
2) A Moving Long Take
3) Montage
The scene: Character A passes something to Character B which produced tension between them, leading to their separation.
Static Long Take
Moving Long Take
Montage
Thomas, Thabit and Ian – L’Intervalle Exercise 3
The following three films are the students’ response to the following brief:
Film the following scene in three different ways:
1) Static Long Take
2) A Moving Long Take
3) Montage
The scene: Character A passes something to Character B which produced tension between them, leading to their separation.
Static Long Take
Moving Long Take
Montage
Comedy Montage
Film Club 2015 – L’Intervalle
Welcome to the Film Club for 2015.
This year the overriding theme is “L’Intervalle”, or the spaces between in filmmaking. We’ll be exploring this idea and how it appears and can be constructed in film. Tonight’s initial exercise involved us first having a look at the film “Two Cars, One Night”, embedded below, and then performing a simple still photography exercise – also embedded and described below.
We considered the types of ‘space’ we might be able to consider in film:
- Intimate
- Personal
- Social
- Public
Then we explored the manipulation of the focal length in our camera in order to represent the physical space between two characters differently. The following images were taken at close proximity, medium zoom and then full zoom on the camera’s lense. The two boys stayed completely still throughout the session.
