Here are the rushes from the saturday shoot – fantastic job everyone. Great acting, shooting, sound recording.
Category: Communication
Saturday Filming Schedule
11:10 Film end of Scene One: Adi Departs Park, shot of Barnaby Following.
11:30 Relocate to constrained space
11:40 Film: Adi crouched reading his book, Shot first from above, then from side with view to where Barnaby will enter. They get on with one of their reading exercises
+ Film later scene where Barnaby apologises. + Final scene: Filmed on camera phone where the group discover Adi and Barnaby
12:40 Lunch Break
13:00 continue before lunch scenes
14:00 New Location: (South Bank) Barnaby and gang (what are they doing?) encounter Adi and this time chase him off
Same time, new scene: Barnaby is challenged by Asim on jetty about why he didn’t join the bullying of Adi (gang in the background)
15:00 Fin.
scene 1 rushes
Here are the complete rushes from scene 1, and an example edit (so we can work out how to complete the sequence).
Looking good so far!
film essay improvs
Hi All,
here are the links to yesterday’s improvs of the ‘apology scene’
hope you can all remember the lower-case, 3 letter password!
film essay improv1
film essay improv 2
improv 3
Summary of the first discussion of ideas for the brief
We analysed the brief, everyone demonstrated a good understanding of the strict rules of form the film needs to take – two character in a constrained space in two key scenes – first alone together, and later with others present. All other scenes must take place in open spaces.
We discussed the notion of the relationship between these two characters (and in what way it is changed in the presence of others) being the key to satisfying the brief and making a strong film that works well in its own right.
There was discussion as what should come first – a good story or good locations, with diverse views on the subject expressed.
In terms of locations, the London Eye was suggested as the constrained space – its cinematic and atmospheric, filming could potentially be arranged. It presents challenges such as continuity, and we would need at least 2 rides in the wheel, a pod to ourselves, and be very well rehearsed beforehand.
Other locations mentioned include waterloo bridge, a lift, the Houses of Parliament.
It was suggested that we should a set-piece opening shot, in the vein of Tarantino, possibly a sweeping tracking shot, that could be achieved using the camera clamp and a bicycle – possibly with a character cycling or running through open space – creating a strong introduction to a central character in open space, before the confined space provokes the plot.
The first round of ideas generated several suggestions:
Two gifted young footballers are friends, but also rivals as they vie for the same goal.
A kid loses his money (possibly by getting mugged), and spends the rest of the film hunting down the perpetrators with his friends.
A boy sells peanuts on Waterloo bridge, the Southbank is the location for the open spaces shots.
A boy is treating his friends un-expectantly to a day out in London – the key scenes take place inside a pod on the London Eye – is he treating them because he is unwell?
Two people are in a lift, one is popular, the other is unpopular – it is unlikely that they would get on, but they are friends secretly. Their relationship alters in the presence of others.
Perhaps there is more going on between these friends than expected – a subtext, something that they want to keep hidden from the judgment of their peers.
Exercises for Paris
Final Film
Anybody got any ideas for the final film? If we want to film around famous London attractions we are going to need an appropriate storyline/plot. (respectable) Please feel free to reply…
Daniel group no sound
The Harlem Shake – LNS Film Club Styles
Improvs for exercise 3
improv 1 from Edutronic.net on Vimeo.
improv 3 from sam lawlor on Vimeo.
MVI 0023 from sam lawlor on Vimeo.
improv 5 from sam lawlor on Vimeo.